As a general rule of thumb, having *something* in your plot happen as a coincidence is a bad idea. It’s just not very dramatic and *can* lead to the dreaded Deus Ex Machina, especially if your protagonist needs some help on something, whether that’s escaping jail, a maniac killer or the attentions of an overly-enamoured school teacher (or whatever, stay with me).

However, we all know films and TV drama use coincidence all the time and get away with it. So what’s the difference?

Well, it seems to me that if your coincidence gets your characters OUT of trouble, then you will be found out… But if your coincidence gets them INTO trouble, you *may* just get away with it.

But please, please, please don’t have your characters meet by coincidence… This seems to be the biggest use of coincidence in the specs I read and I am struggling to think of one that has worked:

CHARACTER 1: Wow, fancy seeing you here.

CHARACTER 2: I know! I haven’t seen you in like, forever.

CHARACTER 1: Yeah, what are the odds? Now we have the excuse to get together and go on some kind of adventure, romp or octane-fuelled horror ride where we’re hunted through the woods like animals.

EESH. It *feels* constructed. As do the characters who have never met before, but *bump* into each other:

CHARACTER 1: Hey! Look where you’re going, will you?

CHARACTER 2: I’m so sorry… Can I buy you a drink? Y’know, just to say sorry.

CHARACTER 1: Okay, sure person I’ve never met before in my life who could be an axe murderer. Because unlike in real life where I’d just keep walking, I’ll now stay here and get involved in your crazy schenanigans or let you kidnap me and sell me on the black market like the Luc Besson movie, TAKEN*.

So whilst coincidence *can* be okay, most of the time it isn’t. Sometimes it feels like coincidence in your only option when it comes to plot construction; I’ve been there, too. But in reality: IT ISN’T. There are always ways of getting your characters where you want them. You’re the writer, the puppet master. So get those puppets in the right place, STAT.

*Taken really was a looooooooong string of “unlikely coincidences” as one critic put it… Check out its much superior predecessor, SPARTAN (written and directed by David Mamet) to see how it’s really done.

UPDATE: Hmmmm… WHAT A COINCIDENCE! A great post from about INSANE coincidences – you really won’t believe some of these. Thanks to @Ditty1013 on Twitter.

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5 Responses to What A Coincidence!

  1. Helenolderbutwiser says:

    I think in romcoms it's called 'fate'. For years I thought the reason I didn't have a boyfriend was because no one had bumped into me and spilled their drink.

  2. Lucy V says:

    Blimey, can't count the times scribes have told me coincidences in their script are just *fate* – whether it's a romcom or not!

    "The door being locked when heroine is trying to escape the killer? That's FATE, that is".

    No, it's just pants.

  3. Leif S. Toshurt says:

    I thought "Dan In Real Life" constructed a believable real life coicidental first meeting. It's the only romcom that comes to mind that has a coincidental spark that I enjoyed and cared about.

  4. Mr Brainwhispers says:

    Your first scenario is exactly how I ended up in Egypt with Lenny Henry searching for the "Orb of Ra".

    It would make a great blog entry, although it would be breaking the official secrets act and would damage the reputation of the sheiks three daughters. Whores!

  5. Leif S. Toshurt says:

    "Will" by Demitri Martin tackles this theme of destiny vs. decision in a really fun way. Damn good script, too.

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